วันเสาร์ที่ 23 มิถุนายน พ.ศ. 2555

MXL MXL 990 Condenser Microphone with Shockmount

It's hard to beat this mic on price. I have one and often use it for home recording projects, demos and such. It's a good inexpensive way to record vocals, but I find the sound a bit muddy, and often come back with eq to turn down some of the low-mid frequencies. Now there are a number of condensers coming out in this low price range, and I've tried a few of them and haven't yet found a cheap one I like any better than this. For finished products, I'd use a better mic if available, but this one will work with a bit of EQ and a careful ear.

The mic requires phantom power, so I got the Art Tube MP preamp to go with it. That preamp warms up the sound and really helps this mic out compared to the built-in mic pre-amps on my board.

I have two of these because they're SO cheap and use them mainly at home if I have a musical idea. One of the reviewers above mentioned it was a bit muddy which I totally agree with. But it's incredibly cheap and fairly detailed for that amount of money. I'm curious how it will hold up over years of use. Anyway, this is probably the perfect "step-up" mic for podcasts if you are currently recording with your computer's built-in mic or a radio shack dynamic mic. I would choose this over the m-audio mics- it feels slightly more durable.

The MXL 990 is one of many Chinese-manufactured condenser mics that suffer from two common problems - it is simultaneously ill-defined in the critical midrange and excessively harsh in the treble range. While the circuit used in the mic is quite clever and fairly well implemented, the sonic deficiencies lie within the condenser capsule and headbasket acoustics.

By and large, Chinese-manufactured mics use condenser capsules copied from classic Neumann designs. Unfortunately, these inexact copies fall short of delivering the magnificent midrange accuracy and smooth, sibilance-free top end Neumann capsules are known for. Most of the copied capsules deliver a sound that is often described as harsh, spitty, "eshy", sibilant or screechy. Poor headbasket acoustics compound the problems created by these capsules.

The MXL 990, like most microphones of its class, uses a multi-layer grille mesh headbasket. These multiple layers of mesh do protect the capsule from spittle and wind blasts - but at a cost. Multiple layer headbaskets have a very small percentage of open area in the grille. This means a great deal of sound is reflected back and forth between the capsule and headbasket. Cup your hands around your mouth or speak into a paper tube to get an exaggerated example of the standing wave artifacts caused by a restrictive headbasket.

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