I've had this controller for about a month now. I was expecting
something a bit bigger and heavier but it's small size has some
advantages. The virtual dj software that comes with it was disappointing
only because it's the stripped down version. I had previously been
using virtual dj pro v6 so it was a major downgrade. No worries though,
because the console works flawlessly with pro v6. If you don't have it
though, you might be a bit disappointed with the djc software that comes
with it, especially if you have used something more professional. One
advantage the more expensive controllers have is their built in sound
cards, but this is easily solved by purchasing a USB sound card. I
picked up a the small Creative FX one for $50. There are less expensive
ones but I decided the quality was worth it since it's the one I use for
the output, and I use my laptop's built in sound card for the
headphones. The biggest gripe I have with it goes back to the size. The
sliders are too close to jog wheels. A problem the mk2 model had as
well. The sliders could have more resistance to them as well but overall
I am pleased with it. It was a good deal for the money. A more serious
dj would want a higher end model like the steel or rmx.
The
Hercules DJ Control mp3 e2 is an outstanding product!!! Even though it
is made mostly of plastic, the device itself feels very well built and
durable and light. The product comes with the device, manual, usb cord,
and the cd. The only problem I had was that I had to install the drivers
twice because the first time it did not work, but after a second try it
worked perfectly! Since I am just a beginner dj, the program that came
with it is just enough for what I want to do. Maybe in a year or two, I
might upgrade to the PRO version but for now, the program is just fine
for me!!! I also love that it came with a handy cover; perfect for
transporting! Another thing that is great about this product is how much
fun it is to use, and how easy it is to use!!! The buttons lighting up
is great feature as well! The conclude my review, I would like to
congratulate Hercules for creating such an outstanding product!!! I look
forward to buying more of their products in the future. I am NOT
associated with Amazon or Hercules in any way.
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วันเสาร์ที่ 23 มิถุนายน พ.ศ. 2555
MXL MXL 990 Condenser Microphone with Shockmount
It's hard to beat this mic on price. I have one and often use it for
home recording projects, demos and such. It's a good inexpensive way to
record vocals, but I find the sound a bit muddy, and often come back
with eq to turn down some of the low-mid frequencies. Now there are a
number of condensers coming out in this low price range, and I've tried a
few of them and haven't yet found a cheap one I like any better than
this. For finished products, I'd use a better mic if available, but this
one will work with a bit of EQ and a careful ear.
The mic requires phantom power, so I got the Art Tube MP preamp to go with it. That preamp warms up the sound and really helps this mic out compared to the built-in mic pre-amps on my board.
I have two of these because they're SO cheap and use them mainly at home if I have a musical idea. One of the reviewers above mentioned it was a bit muddy which I totally agree with. But it's incredibly cheap and fairly detailed for that amount of money. I'm curious how it will hold up over years of use. Anyway, this is probably the perfect "step-up" mic for podcasts if you are currently recording with your computer's built-in mic or a radio shack dynamic mic. I would choose this over the m-audio mics- it feels slightly more durable.
The MXL 990 is one of many Chinese-manufactured condenser mics that suffer from two common problems - it is simultaneously ill-defined in the critical midrange and excessively harsh in the treble range. While the circuit used in the mic is quite clever and fairly well implemented, the sonic deficiencies lie within the condenser capsule and headbasket acoustics.
By and large, Chinese-manufactured mics use condenser capsules copied from classic Neumann designs. Unfortunately, these inexact copies fall short of delivering the magnificent midrange accuracy and smooth, sibilance-free top end Neumann capsules are known for. Most of the copied capsules deliver a sound that is often described as harsh, spitty, "eshy", sibilant or screechy. Poor headbasket acoustics compound the problems created by these capsules.
The MXL 990, like most microphones of its class, uses a multi-layer grille mesh headbasket. These multiple layers of mesh do protect the capsule from spittle and wind blasts - but at a cost. Multiple layer headbaskets have a very small percentage of open area in the grille. This means a great deal of sound is reflected back and forth between the capsule and headbasket. Cup your hands around your mouth or speak into a paper tube to get an exaggerated example of the standing wave artifacts caused by a restrictive headbasket.
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The mic requires phantom power, so I got the Art Tube MP preamp to go with it. That preamp warms up the sound and really helps this mic out compared to the built-in mic pre-amps on my board.
I have two of these because they're SO cheap and use them mainly at home if I have a musical idea. One of the reviewers above mentioned it was a bit muddy which I totally agree with. But it's incredibly cheap and fairly detailed for that amount of money. I'm curious how it will hold up over years of use. Anyway, this is probably the perfect "step-up" mic for podcasts if you are currently recording with your computer's built-in mic or a radio shack dynamic mic. I would choose this over the m-audio mics- it feels slightly more durable.
The MXL 990 is one of many Chinese-manufactured condenser mics that suffer from two common problems - it is simultaneously ill-defined in the critical midrange and excessively harsh in the treble range. While the circuit used in the mic is quite clever and fairly well implemented, the sonic deficiencies lie within the condenser capsule and headbasket acoustics.
By and large, Chinese-manufactured mics use condenser capsules copied from classic Neumann designs. Unfortunately, these inexact copies fall short of delivering the magnificent midrange accuracy and smooth, sibilance-free top end Neumann capsules are known for. Most of the copied capsules deliver a sound that is often described as harsh, spitty, "eshy", sibilant or screechy. Poor headbasket acoustics compound the problems created by these capsules.
The MXL 990, like most microphones of its class, uses a multi-layer grille mesh headbasket. These multiple layers of mesh do protect the capsule from spittle and wind blasts - but at a cost. Multiple layer headbaskets have a very small percentage of open area in the grille. This means a great deal of sound is reflected back and forth between the capsule and headbasket. Cup your hands around your mouth or speak into a paper tube to get an exaggerated example of the standing wave artifacts caused by a restrictive headbasket.
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Blue Microphones Snowball USB Microphone (White)
Okay, I own a lot of microphones. I am very picky when it comes to sound
and I would gladly waste $40 in gas to return a microphone that just
didn't have the sound I expect. I was delighted to hear the quality of
this USB mic! It has a great clarity to it, without being "tinny" or
"crispy", and without sacrificing on the lows either. No "boomy" or
"hollow" sound, just a nice clean and full-range quality that I expect
from my $500-range microphones (but thankfully, without having to fool
with an audio interface or goofy proprietary driver software!) What a
great find... plug it in and it is ready to record!!
If you are looking for an intelligent, clean, affordable microphone for voice-over projects, podcasts, quick-and-easy live recording (with your laptop, of course), or open-mic music composition before dragging all the gear out to record a full-blown multitrack, this is the best money can buy in this category. Not to mention, it looks great sitting on your desk! BLUE has definitely convinced me to buy again, solid construction and solid sound (and no stupid drivers like Samson's USB garbage). Maybe next I'll get a Bluebird or Baby Bottle, this company is worth a closer look now that I've heard the very smooth sound of their entry level -- BLUE has got my attention!!
I started a podcast series based on Shakespeare's works and on major works of English literature (SHAKESPodosphEARE) for my students in Cincinnati earlier this year, and I started with a cheap mic/headset. It did the trick for the early episodes; I was just exploring whether or not my students would find full-text readings and recorded lectures useful, and they did. As a result, I wanted to find a higher quality way to record both readings of his plays and my lectures, and the Snowball was the perfect solution. It's easy to use (plugs in to your USB port), can be transported from one locale to another easily, and is an economical way to get high quality audio recordings. I've used it mainly for voice, but I've since incorporated some music into the podcast, and it's done a nice job of picking up my acoustic guitar and students' vocals.
NB: I use Audacity (which is a free download), and an HP Tablet PC, and for some reason I needed to do a firmware upgrade because at first the Snowball wasn't picking up sound at a high enough volume. It is a pretty simple process if you're tech savvy. Go to Blue's website for details.
If you're interested in listening to the differences between a cheap headset and the Snowball, check out my podcast at http://www.bigcontact.com/shakespodospheare . Listen to one of the early episodes (early Sept. of 2006) on which I used the basic mic (what comes with most Desktops), and then listen to a later episode (in which I use the Snowball). I'd recommend listening to an early Othello episode (1.1) and then a later Julius Caesar episode. My shows on The Tempest (also recorded with the Snowball) include sound effects, which may make it hard to hear the difference.
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If you are looking for an intelligent, clean, affordable microphone for voice-over projects, podcasts, quick-and-easy live recording (with your laptop, of course), or open-mic music composition before dragging all the gear out to record a full-blown multitrack, this is the best money can buy in this category. Not to mention, it looks great sitting on your desk! BLUE has definitely convinced me to buy again, solid construction and solid sound (and no stupid drivers like Samson's USB garbage). Maybe next I'll get a Bluebird or Baby Bottle, this company is worth a closer look now that I've heard the very smooth sound of their entry level -- BLUE has got my attention!!
I started a podcast series based on Shakespeare's works and on major works of English literature (SHAKESPodosphEARE) for my students in Cincinnati earlier this year, and I started with a cheap mic/headset. It did the trick for the early episodes; I was just exploring whether or not my students would find full-text readings and recorded lectures useful, and they did. As a result, I wanted to find a higher quality way to record both readings of his plays and my lectures, and the Snowball was the perfect solution. It's easy to use (plugs in to your USB port), can be transported from one locale to another easily, and is an economical way to get high quality audio recordings. I've used it mainly for voice, but I've since incorporated some music into the podcast, and it's done a nice job of picking up my acoustic guitar and students' vocals.
NB: I use Audacity (which is a free download), and an HP Tablet PC, and for some reason I needed to do a firmware upgrade because at first the Snowball wasn't picking up sound at a high enough volume. It is a pretty simple process if you're tech savvy. Go to Blue's website for details.
If you're interested in listening to the differences between a cheap headset and the Snowball, check out my podcast at http://www.bigcontact.com/shakespodospheare . Listen to one of the early episodes (early Sept. of 2006) on which I used the basic mic (what comes with most Desktops), and then listen to a later episode (in which I use the Snowball). I'd recommend listening to an early Othello episode (1.1) and then a later Julius Caesar episode. My shows on The Tempest (also recorded with the Snowball) include sound effects, which may make it hard to hear the difference.
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Kala KA-15S Mahogany Soprano Ukulele
My husband and I started playing ukulele this summer. We wanted small
instruments to take camping. I was afraid the soprano would be too
small, so I bought a concert size Kala in electric blue (I thought the
color was fun). My hubby got a tenor Kala in Mahogany. Within a month I
realized my shiny blue concert was too slippery and slid down my belly
while playing in a standing position. I put a couple of small velcro
squares on the back to prevent slipping but it didn't help much. I
decided to get a soprano in Mahogany and ordered a Kala since the first
two were well made.
When the soprano Kala it arrived I was happy to see it came with Aquila strings which are better quality than the original strings on the other two Kalas. We changed the strings on the other two ukes for Aquilas based on recommendations from seasoned uke players.
The soprano size is plenty big enough for me, although my husband says his big fingers have trouble fitting on the smaller neck after playing his tenor. The tone is snappy, and the workmanship is exceptional for such a cheap musical instrument. Since we now have three Kalas and none have flaws, I wholeheartedly recommend this brand.
I work at Eckroth Music in Bismarck, ND and we started receiving these ukuleles as a new product item to replace shabby, low-end ones we were getting from a different vendor, but at a similar price range. Boy, what a difference in quality! I wasn't a uke player until I started messing around with this one, and I bought my own KA-15S ukulele to get started because I love the tone and the quality construction of it. I have to admit that I didn't know the correct tuning, because the G string is higher then the C string right below it, and I ended up breaking my A string because I had it tuned an octave higher than I should have. Then I watched a Youtube video on how to re-string and tune the uke, and pretty soon I was learning to play a Queen song. Just fabulous. I re-strung it with Martin M600 flurocarbon strings, but the Aquila strings that come on the uke are the most popular brand around, and for good reason. The next time I have to re-string, I'm going to get Aquila Nylgut strings. Some tips for would-be uke players: if you use a pick, use a lighter gauge pick, like a .50 or lighter, to get the best tone from your strumming and minimize the twang.
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When the soprano Kala it arrived I was happy to see it came with Aquila strings which are better quality than the original strings on the other two Kalas. We changed the strings on the other two ukes for Aquilas based on recommendations from seasoned uke players.
The soprano size is plenty big enough for me, although my husband says his big fingers have trouble fitting on the smaller neck after playing his tenor. The tone is snappy, and the workmanship is exceptional for such a cheap musical instrument. Since we now have three Kalas and none have flaws, I wholeheartedly recommend this brand.
I work at Eckroth Music in Bismarck, ND and we started receiving these ukuleles as a new product item to replace shabby, low-end ones we were getting from a different vendor, but at a similar price range. Boy, what a difference in quality! I wasn't a uke player until I started messing around with this one, and I bought my own KA-15S ukulele to get started because I love the tone and the quality construction of it. I have to admit that I didn't know the correct tuning, because the G string is higher then the C string right below it, and I ended up breaking my A string because I had it tuned an octave higher than I should have. Then I watched a Youtube video on how to re-string and tune the uke, and pretty soon I was learning to play a Queen song. Just fabulous. I re-strung it with Martin M600 flurocarbon strings, but the Aquila strings that come on the uke are the most popular brand around, and for good reason. The next time I have to re-string, I'm going to get Aquila Nylgut strings. Some tips for would-be uke players: if you use a pick, use a lighter gauge pick, like a .50 or lighter, to get the best tone from your strumming and minimize the twang.
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วันอาทิตย์ที่ 10 มิถุนายน พ.ศ. 2555
Audio Technica AT2020 Side Address Cardiod Condensor Studio Mic
I bought this as a gift for a friend he was really happy with it but, I have a completely different view. The AT2020 is a pretty bright mic which sounds good at first but once you layer tracks on top of each other it can sound very harsh. Second it is not a true large diaphragm condenser. It is a very good mic for people starting out in music or just using it for podcasts, but there are a bunch of better mics near this price. Two that come to mind are the MXL V67g and Studio projects B1 (stay away from the studio projects C1) both exceptional microphones for the price. Although there is one mic you that is a bit more expensive but is absolutely amazing, the MXL 2003a. A lot of people have claimed the studio projects C1 sounds like the Neumann u87 it doesn't, the MXL 2003a however sounds very similar and is easily the best LDC mic under $500. With that being said the AT2020 is not a bad microphone but it is not great, to people who have just used built in mics on there computer or camera this will blow them away but as time goes on they will learn the limitations of this microphone.
Although to be fair I have a lot of experience in pro audio and production, so I maybe a bit overly critical. One thing is for sure though; there are definitely better mics in or near this price range.
Let's face it...I'm just a hobby musician. A guy in his mid-30's who has tinkered with music most of his adult life. I've played both as a solo artist and with bands. I've also been fortunate enough to spend time in actual recording studios with true professionals. None of this qualifies me as an expert...but I do have a certain level of familiarity on the subject.
I purchased this mic to supplement my home studio. I was hoping to get a little better sound than my usual stable of dynamic mics provide. I think I got pretty lucky with this purchase - it's my understanding that in this particular price range, you shouldn't expect a whole lot. I mean, it's just a microphone, right?
What I will say is that I was certainly satisfied with my purchase. I've used this microphone in conjunction with a tube preamp on a handful of recordings with great success. I bought this with the intention of using it for vocals, but I've found that I actually prefer it to record my acoustic guitar - this microphone picks up all the sound that I'm looking for from my acoustic - it's the nice, mellow, and full bodied sound that I hear when I'm playing, but that I was never able to capture before. In terms of its originally intended use, I felt is was only a slight improvement over the SM58 that I typically used for vocals - however, I wouldn't put too much stock into my assessment, as vocals are not one of my strengths when it comes to music (let's face it, autotune was created for a reason, right?)
Granted - everyone is going to have different opinions of this product, and I happen to think it works great for those of us on a budget. In terms of value - it is a great product for a fantastic price. I liked this microphone so much, I plan on buying at least one more.
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Although to be fair I have a lot of experience in pro audio and production, so I maybe a bit overly critical. One thing is for sure though; there are definitely better mics in or near this price range.
Let's face it...I'm just a hobby musician. A guy in his mid-30's who has tinkered with music most of his adult life. I've played both as a solo artist and with bands. I've also been fortunate enough to spend time in actual recording studios with true professionals. None of this qualifies me as an expert...but I do have a certain level of familiarity on the subject.
I purchased this mic to supplement my home studio. I was hoping to get a little better sound than my usual stable of dynamic mics provide. I think I got pretty lucky with this purchase - it's my understanding that in this particular price range, you shouldn't expect a whole lot. I mean, it's just a microphone, right?
What I will say is that I was certainly satisfied with my purchase. I've used this microphone in conjunction with a tube preamp on a handful of recordings with great success. I bought this with the intention of using it for vocals, but I've found that I actually prefer it to record my acoustic guitar - this microphone picks up all the sound that I'm looking for from my acoustic - it's the nice, mellow, and full bodied sound that I hear when I'm playing, but that I was never able to capture before. In terms of its originally intended use, I felt is was only a slight improvement over the SM58 that I typically used for vocals - however, I wouldn't put too much stock into my assessment, as vocals are not one of my strengths when it comes to music (let's face it, autotune was created for a reason, right?)
Granted - everyone is going to have different opinions of this product, and I happen to think it works great for those of us on a budget. In terms of value - it is a great product for a fantastic price. I liked this microphone so much, I plan on buying at least one more.
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Fender Mustang I Electric Guitar Amplifier
I bough this amp for my 9 year old son who is learning guitar for his Christmas present. I thought that since I love Fender guitars and since he has a mini Squier we'd like to get something in the Fender Family. I seriously expected a cheap imitation of a Line 6 Spider with a Fender logo slapped on it. I should have had more faith in Fender.
I am blown away by the sounds that come out of this amp. The AMP models are far more real and interesting sounding than any modeling tool I have ever used. The amps don't sound digital or processed, they actually sound overdriven when you crank the gain. You would swear that there are tubes in this thing when you listen to it. I can't get over the Bassman, the twin Reverb and the Deluxe. They sound so full and strong.
My biggest compliment of the Mustang is that it is the ONLY modeling amp that has great sounding Vintage tones. Line 6 has tons of metal stuff, and a lot of weird niche tones. Vox has never really made great modeling stuff. Digitech sounds super processed and the vintage tones are terrible.
If you play Blues, Rock, Classic Rock, Country, Funk etc... This amp is for you. There is just enough metal or heavy sounds to have a few choices for Modern Metal, but Metalheads might be better off with the Line 6 stuff.
The other great thing about this amp is how easy it is to tweak the tones using the amp controls. By looking at the controls, you know right where you are and what you have to do to edit your sound. You don't need to dive 5 levels deep into an LCD screen in order to make great sounding tweaks.
But if you like to go deep, you'll love the Fender Fuse software. It is easy to use and there are countless user submitted tones to help shape your sound.
The fact that Fender not only included FUSE with this amp, but also the Ableton recording software that is also pretty user friendly and fully usable without having to pay to upgrade anything, is just frosting on the cake.
I am a father of 4 who normally has to practice at night and being able to have an amp that can get quiet but still sound amazing, with the added features of a headphone jack and an AUX in, I can play whenever I want. I am actually selling my nice Tube amp and using the Mustang as my only amp for now, and I feel like I am not missing out on any features or downgrading my sound at all.
The value of this amp is amazing. People will shell out 2-3x as much for a Line 6 modeler, but the vintage tones will not sound anywhere close to as good as the Fender tones.
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I am blown away by the sounds that come out of this amp. The AMP models are far more real and interesting sounding than any modeling tool I have ever used. The amps don't sound digital or processed, they actually sound overdriven when you crank the gain. You would swear that there are tubes in this thing when you listen to it. I can't get over the Bassman, the twin Reverb and the Deluxe. They sound so full and strong.
My biggest compliment of the Mustang is that it is the ONLY modeling amp that has great sounding Vintage tones. Line 6 has tons of metal stuff, and a lot of weird niche tones. Vox has never really made great modeling stuff. Digitech sounds super processed and the vintage tones are terrible.
If you play Blues, Rock, Classic Rock, Country, Funk etc... This amp is for you. There is just enough metal or heavy sounds to have a few choices for Modern Metal, but Metalheads might be better off with the Line 6 stuff.
The other great thing about this amp is how easy it is to tweak the tones using the amp controls. By looking at the controls, you know right where you are and what you have to do to edit your sound. You don't need to dive 5 levels deep into an LCD screen in order to make great sounding tweaks.
But if you like to go deep, you'll love the Fender Fuse software. It is easy to use and there are countless user submitted tones to help shape your sound.
The fact that Fender not only included FUSE with this amp, but also the Ableton recording software that is also pretty user friendly and fully usable without having to pay to upgrade anything, is just frosting on the cake.
I am a father of 4 who normally has to practice at night and being able to have an amp that can get quiet but still sound amazing, with the added features of a headphone jack and an AUX in, I can play whenever I want. I am actually selling my nice Tube amp and using the Mustang as my only amp for now, and I feel like I am not missing out on any features or downgrading my sound at all.
The value of this amp is amazing. People will shell out 2-3x as much for a Line 6 modeler, but the vintage tones will not sound anywhere close to as good as the Fender tones.
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Tascam DR-05 Portable Digital Recorder
I purchased this to record my daughter's piano recitals. I researched the options and found this to give me the best feature set for the money. What was important to me was easy transfer of files to my PC, good battery life, cheap and expandable media, ease of use, choice of manual and auto record levels, and the ability to change recording levels once recording has started. And of course it should make good sounding recordings!
This device met all of these criteria both on paper an in actual use. To play around with it, I have been recording my daughter's practice sessions. I was shocked at the sound quality even from the built in microphones. The resulting recording had no hiss, had good punch in the low end, didn't audibly distort even when the peak light would light, and had great stereo imaging. Wow! Transferring files to my PC is literally drag-n-drop since the device appears as an external drive when connected to the PC. I've recorded about 5 hours along with about 3 hours of playback and the battery charge indicator still hasn't dropped. This is using the provided alkaline batteries.
I upgraded to a 16GB memory card that cost me <$30. That's what I call a cheap storage upgrade from the 2GB card provided!
To really put it through it's paces, I brought it along to record my daughter's school play. The resulting recroding sounded awesome and was very faithful to how it sounded live. I was afraid that the audience clapping would really overload the microphones since I set the levels manually for the performers. Though there is clipping during the applause sections, it is not bad at all. I didn't even feel the need to round out the clipping during post processing. My daughter was very excited to hear the recording afterwards and agreed that it sounded great. As a point of reference, I've been making all of my recordings as stereo 16 bit 44kHz WAV files (aka CD quality/spec).
There is a little bit of handling noise, but that is to be expected with a device with built in microphones. But if you are careful, you can minimize this. I tweaked the levels at the start and you can barely tell I was pushing buttons on it. During the entire performance, I just laid the DR-05 on the empty chair next to me.
The only downside I can find with this device is that the input is really hot for line-in. If you do not have control of the output you connect to the line-in, you may have a problem. This is stated in the manual. From my reading, the more expensive models have a true line-in where this isn't a problem. If you plan to use this device to record from the outputs of a soundboard or other device, you may want to move up to a model that supports a true line-in. I don't plan on using this device this way, so it isn't an issue for me.
Coming from using a Sony HiMD Minidisc recorder for similar tasks in the past, I can't tell you how much of a pleasure the DR-05 is to use. It is so easy to use and produces great results straight out of the box. I highly recommend this device.
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This device met all of these criteria both on paper an in actual use. To play around with it, I have been recording my daughter's practice sessions. I was shocked at the sound quality even from the built in microphones. The resulting recording had no hiss, had good punch in the low end, didn't audibly distort even when the peak light would light, and had great stereo imaging. Wow! Transferring files to my PC is literally drag-n-drop since the device appears as an external drive when connected to the PC. I've recorded about 5 hours along with about 3 hours of playback and the battery charge indicator still hasn't dropped. This is using the provided alkaline batteries.
I upgraded to a 16GB memory card that cost me <$30. That's what I call a cheap storage upgrade from the 2GB card provided!
To really put it through it's paces, I brought it along to record my daughter's school play. The resulting recroding sounded awesome and was very faithful to how it sounded live. I was afraid that the audience clapping would really overload the microphones since I set the levels manually for the performers. Though there is clipping during the applause sections, it is not bad at all. I didn't even feel the need to round out the clipping during post processing. My daughter was very excited to hear the recording afterwards and agreed that it sounded great. As a point of reference, I've been making all of my recordings as stereo 16 bit 44kHz WAV files (aka CD quality/spec).
There is a little bit of handling noise, but that is to be expected with a device with built in microphones. But if you are careful, you can minimize this. I tweaked the levels at the start and you can barely tell I was pushing buttons on it. During the entire performance, I just laid the DR-05 on the empty chair next to me.
The only downside I can find with this device is that the input is really hot for line-in. If you do not have control of the output you connect to the line-in, you may have a problem. This is stated in the manual. From my reading, the more expensive models have a true line-in where this isn't a problem. If you plan to use this device to record from the outputs of a soundboard or other device, you may want to move up to a model that supports a true line-in. I don't plan on using this device this way, so it isn't an issue for me.
Coming from using a Sony HiMD Minidisc recorder for similar tasks in the past, I can't tell you how much of a pleasure the DR-05 is to use. It is so easy to use and produces great results straight out of the box. I highly recommend this device.
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วันพุธที่ 6 มิถุนายน พ.ศ. 2555
Blue Microphones Snowball USB Microphone (Brushed Aluminum)
Okay, I own a lot of microphones. I am very picky when it comes to sound and I would gladly waste $40 in gas to return a microphone that just didn't have the sound I expect. I was delighted to hear the quality of this USB mic! It has a great clarity to it, without being "tinny" or "crispy", and without sacrificing on the lows either. No "boomy" or "hollow" sound, just a nice clean and full-range quality that I expect from my $500-range microphones (but thankfully, without having to fool with an audio interface or goofy proprietary driver software!) What a great find... plug it in and it is ready to record!!
If you are looking for an intelligent, clean, affordable microphone for voice-over projects, podcasts, quick-and-easy live recording (with your laptop, of course), or open-mic music composition before dragging all the gear out to record a full-blown multitrack, this is the best money can buy in this category. Not to mention, it looks great sitting on your desk! BLUE has definitely convinced me to buy again, solid construction and solid sound (and no stupid drivers like Samson's USB garbage). Maybe next I'll get a Bluebird or Baby Bottle, this company is worth a closer look now that I've heard the very smooth sound of their entry level -- BLUE has got my attention!!
I started a podcast series based on Shakespeare's works and on major works of English literature (SHAKESPodosphEARE) for my students in Cincinnati earlier this year, and I started with a cheap mic/headset. It did the trick for the early episodes; I was just exploring whether or not my students would find full-text readings and recorded lectures useful, and they did. As a result, I wanted to find a higher quality way to record both readings of his plays and my lectures, and the Snowball was the perfect solution. It's easy to use (plugs in to your USB port), can be transported from one locale to another easily, and is an economical way to get high quality audio recordings. I've used it mainly for voice, but I've since incorporated some music into the podcast, and it's done a nice job of picking up my acoustic guitar and students' vocals.
NB: I use Audacity (which is a free download), and an HP Tablet PC, and for some reason I needed to do a firmware upgrade because at first the Snowball wasn't picking up sound at a high enough volume. It is a pretty simple process if you're tech savvy. Go to Blue's website for details.
If you're interested in listening to the differences between a cheap headset and the Snowball, check out my podcast at http://www.bigcontact.com/shakespodospheare . Listen to one of the early episodes (early Sept. of 2006) on which I used the basic mic (what comes with most Desktops), and then listen to a later episode (in which I use the Snowball). I'd recommend listening to an early Othello episode (1.1) and then a later Julius Caesar episode. My shows on The Tempest (also recorded with the Snowball) include sound effects, which may make it hard to hear the difference.
I've liked the Snowball so much that the school itself purchased one to encourage our students to start creating their own podcasts.
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If you are looking for an intelligent, clean, affordable microphone for voice-over projects, podcasts, quick-and-easy live recording (with your laptop, of course), or open-mic music composition before dragging all the gear out to record a full-blown multitrack, this is the best money can buy in this category. Not to mention, it looks great sitting on your desk! BLUE has definitely convinced me to buy again, solid construction and solid sound (and no stupid drivers like Samson's USB garbage). Maybe next I'll get a Bluebird or Baby Bottle, this company is worth a closer look now that I've heard the very smooth sound of their entry level -- BLUE has got my attention!!
I started a podcast series based on Shakespeare's works and on major works of English literature (SHAKESPodosphEARE) for my students in Cincinnati earlier this year, and I started with a cheap mic/headset. It did the trick for the early episodes; I was just exploring whether or not my students would find full-text readings and recorded lectures useful, and they did. As a result, I wanted to find a higher quality way to record both readings of his plays and my lectures, and the Snowball was the perfect solution. It's easy to use (plugs in to your USB port), can be transported from one locale to another easily, and is an economical way to get high quality audio recordings. I've used it mainly for voice, but I've since incorporated some music into the podcast, and it's done a nice job of picking up my acoustic guitar and students' vocals.
NB: I use Audacity (which is a free download), and an HP Tablet PC, and for some reason I needed to do a firmware upgrade because at first the Snowball wasn't picking up sound at a high enough volume. It is a pretty simple process if you're tech savvy. Go to Blue's website for details.
If you're interested in listening to the differences between a cheap headset and the Snowball, check out my podcast at http://www.bigcontact.com/shakespodospheare . Listen to one of the early episodes (early Sept. of 2006) on which I used the basic mic (what comes with most Desktops), and then listen to a later episode (in which I use the Snowball). I'd recommend listening to an early Othello episode (1.1) and then a later Julius Caesar episode. My shows on The Tempest (also recorded with the Snowball) include sound effects, which may make it hard to hear the difference.
I've liked the Snowball so much that the school itself purchased one to encourage our students to start creating their own podcasts.
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Audio-Technica ATR-6550 Video Camera Condenser Shotgun Microphone
This is a good option if you want to use shotgun techniques with a consumer video camera. It gives sound that, after compression for youtube-level playback, would be difficult to distinguish from a professional mic. The sound is comparatively thin, it generates a small amount of internal noise, and its cabling is subject to indoor electrical noise, so it would knock a project out of contention for broadcast quality. But it pairs well with inexpensive camcorders and is an improvement over on-camera mics, especially if you don't mount it on the camera. It balances in a shock mount better than others in this price range.
Its cable is 3 feet long and coiled, and it's hardwired to the mic, so it picks up more electrical interference than a straight cable of the same effective reach. Simply having a jack would allow the option boosting the signal closer to the mic before a long cable run from a boom, for example.
But its biggest flaw is that it's unreliable. Mine had a bad internal wire connection and failed in its first hour of use. I've seen this happen with other sub-$100 shotguns. Audio-Technica has a generous lifetime warranty, and it's great to be able to trust the manufacturer to make it right; but one needs to be able to trust the gear itself. I wouldn't take this mic on a shoot without a backup, and then it's not such inexpensive option.
I've used this mic on three different types of shoots so far and it's performance is pretty impressive for the price. Of course if you are an audiophile and you are comparing this to a top of the line $1600 sennheiser I'm sure you will find plenty of things to gripe about, but if you are looking for an affordable, immediate step up from your on camera mic, this works great.
I shot a scene in front of a courthouse a few days ago, and there were so many buses going by that I ended up screaming out most of the dialogue - it was a little bit deafening. The performance of the mic on its regular mode was OK, but on telephoto mode it completely blocked out the sound of the buses (which were behind the camera).
Later that same day I followed a guy around on a busy street at night while he was performing some magic, and the sound (also on telephoto) was really good. I was far enough back with the camera that I couldn't hear a lot of what he was saying, but the mic picked it up - clean, good volume, and intelligible.
Two warnings, make sure the mic wire is not touching anything or bumps into anything because it will get picked up on your audio. And if you are in a slightly loud environment use the telephoto. In fact, I'm sticking with the telephoto permanently for now on. I'm leaving 4 stars because I have only used the mic a few times and I don't know how it will hold up, but so far I am very happy with my purchase.
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Its cable is 3 feet long and coiled, and it's hardwired to the mic, so it picks up more electrical interference than a straight cable of the same effective reach. Simply having a jack would allow the option boosting the signal closer to the mic before a long cable run from a boom, for example.
But its biggest flaw is that it's unreliable. Mine had a bad internal wire connection and failed in its first hour of use. I've seen this happen with other sub-$100 shotguns. Audio-Technica has a generous lifetime warranty, and it's great to be able to trust the manufacturer to make it right; but one needs to be able to trust the gear itself. I wouldn't take this mic on a shoot without a backup, and then it's not such inexpensive option.
I've used this mic on three different types of shoots so far and it's performance is pretty impressive for the price. Of course if you are an audiophile and you are comparing this to a top of the line $1600 sennheiser I'm sure you will find plenty of things to gripe about, but if you are looking for an affordable, immediate step up from your on camera mic, this works great.
I shot a scene in front of a courthouse a few days ago, and there were so many buses going by that I ended up screaming out most of the dialogue - it was a little bit deafening. The performance of the mic on its regular mode was OK, but on telephoto mode it completely blocked out the sound of the buses (which were behind the camera).
Later that same day I followed a guy around on a busy street at night while he was performing some magic, and the sound (also on telephoto) was really good. I was far enough back with the camera that I couldn't hear a lot of what he was saying, but the mic picked it up - clean, good volume, and intelligible.
Two warnings, make sure the mic wire is not touching anything or bumps into anything because it will get picked up on your audio. And if you are in a slightly loud environment use the telephoto. In fact, I'm sticking with the telephoto permanently for now on. I'm leaving 4 stars because I have only used the mic a few times and I don't know how it will hold up, but so far I am very happy with my purchase.
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Mendini 4/4 MV300 Solid Wood Violin in Satin Finish with Hard Case, Shoulder Rest, Bow, Rosin and Extra Strings - Full Size
This violin is of much higher quality than I ever imagined. It is not, of course, even a good violin by professional standards, but it is a very solid beginner's instrument. I bought it for myself, though I am not a violinist, but I have been playing guitar, bass, and keys for more than six years, and I have played violins before. My ex-girlfriend lent me her first violin when we were dating, and it was really, really horrible. This one is pretty close to her current violin, which was a pretty decent student model. I did a lot of research before buying this one, and I'm really glad I did. It is rated highly by violin teachers and other violinists, but very lowly by people who have no idea what they are talking about. I have read that a lot of violins under $100 don't even have a sound post, which is a crucial part of the violin and absolutely cannot be discarded. You're almost better off with a violin that has no neck. The bow you're playing with has a lot to do with the tone you will produce. I have been playing some simple melodies on this violin, and it is not difficult to produce decent tone on it with the bow it comes with. The only two problems that I have had with this package are the rosin and the shoulder rest. Both are absolutely terrible, but not very expensive to replace with better products. The rosin is round, chips very easily, and is extremely difficult to use. I bought "Super-Sensitive" rosin from the Musical String Co. which was only three dollars (and I bought it from a luthier shop in Costa Mesa). You're going to want a rectangular rosin set in wood, that makes it much easier to use. Then theres the horrible, horrible shoulder rest. I was completely incapable of properly holding the instrument using the shoulder rest it came with. I replaced that with an Everest shoulder rest for eighteen dollars, and it is very comfortable. The case it comes with is just fine; it is a hard case and has straps on the back so it can be worn as a backpack. The violin also comes with an extra set of strings, and an extra bridge (I believe violin bridges are made of balsa wood, but I know that they are very fragile) which is great for the beginner who may snap the bridge when trying to put it on. Also, it is not difficult to snap the strings when first tuning them (you have to do so very slowly and gently) so an extra set of strings is very handy for the beginner to keep on hand. You will notice some cosmetic damage to the violin, some very minor dents and scratches, but I have seen nothing major on mine that I did not expect on a $60 violin outfit. Also, if you look VERY closely, the neck on my violin is angled just slightly to the right. I'm sure there are other measurements on the violin that are far away from industry standards, but this model is close enough that it will not hinder a beginner's learning. It comes assembled (although the bridge and sound post might fall out in shipping, but that not a big problem) but you will almost certainly have to take the pegs out at put some rosin on them so they'll hold the strings at the right tension. If you try tuning it before that, the pegs will just roll back to their original positions (this is normal for all violins).
I rated this violin at 5 stars not because it is truely a five-star violin, but because for $60 (almost the cheapest violin I've ever seen) it is a really, really great package. It is definately good enough for any beginner to learn on, and if you're looking at a $60 violin, that must be what you're looking for.
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I rated this violin at 5 stars not because it is truely a five-star violin, but because for $60 (almost the cheapest violin I've ever seen) it is a really, really great package. It is definately good enough for any beginner to learn on, and if you're looking at a $60 violin, that must be what you're looking for.
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Casio CTK-2100 61-Key Portable Keyboard Package with Headphones
Prior to ordering this item, i read most of the reviews. The common problem seems to be the adapter that comes with this package. It isnt the original Casio adapter, and this seems to cause equipment failure if used.
This is what I did and recommended for you to do as well:
Rather than getting this package where the keyboard, adapter (generic), and keyboard stand come together, go to the listing on Amazon that just sells the keyboard alone. Then on that same page, it gives you the option to add the adapter and keyboard stand to the purchase. I believe the total then comes out to $129 altogether. This is $10 more than the listing where the give you the package deal with the generic adapter. I personally feel its worth spending an extra $10 to get the original casio adapter rather than using the generic which the casio instruction manual says not to use (or else risk equipment failure).
I just purchased it in the way I mentioned above, got in the mail last week, and everything works perfectly.
Spend the extra $10 and save yourself the headache of replacing a malfunctioned keyboard.
This is a REALLY good value for the price (I paid $128). The headphones took a while to figure out how to use, but the quality of the rest of the set more than makes up for that. I didn't realize when I bought this, but it's a teaching keyboard and has a number of songs programed into it that it will break down and teach you to play. You can also hook it up directly to your computer or radio and download songs onto it that way. Not to mention the volume control.
I was completely satisfied with this purchase in every way. I picked up this item for $99.00 including the AC adapter, jamstand and headphones and got Free Shipping. Everything arrived in 3 days of my online order in excellent condition via FedEx. I am a beginner and learning to read music, this keyboard teaches and reinforces all those skills. It is light and easy to transport. The stand was quick and easy to assemble. Everything was well-packaged, easy to find and remove from the box. I was all set up and ready to play in about 15 min. My church is planning on picking up 4 more at this price for the music program. Highly recommend this item.
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This is what I did and recommended for you to do as well:
Rather than getting this package where the keyboard, adapter (generic), and keyboard stand come together, go to the listing on Amazon that just sells the keyboard alone. Then on that same page, it gives you the option to add the adapter and keyboard stand to the purchase. I believe the total then comes out to $129 altogether. This is $10 more than the listing where the give you the package deal with the generic adapter. I personally feel its worth spending an extra $10 to get the original casio adapter rather than using the generic which the casio instruction manual says not to use (or else risk equipment failure).
I just purchased it in the way I mentioned above, got in the mail last week, and everything works perfectly.
Spend the extra $10 and save yourself the headache of replacing a malfunctioned keyboard.
This is a REALLY good value for the price (I paid $128). The headphones took a while to figure out how to use, but the quality of the rest of the set more than makes up for that. I didn't realize when I bought this, but it's a teaching keyboard and has a number of songs programed into it that it will break down and teach you to play. You can also hook it up directly to your computer or radio and download songs onto it that way. Not to mention the volume control.
I was completely satisfied with this purchase in every way. I picked up this item for $99.00 including the AC adapter, jamstand and headphones and got Free Shipping. Everything arrived in 3 days of my online order in excellent condition via FedEx. I am a beginner and learning to read music, this keyboard teaches and reinforces all those skills. It is light and easy to transport. The stand was quick and easy to assemble. Everything was well-packaged, easy to find and remove from the box. I was all set up and ready to play in about 15 min. My church is planning on picking up 4 more at this price for the music program. Highly recommend this item.
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